My current work is redefining linoleum printmaking, a laborious process which involves drawing, carving and inking a linoleum matrix to achieve a final print.  I recognize the growing relevance of artisanal processes in a modern era that both undervalues and yearns for them. I endeavor to re-imagine the Canadian Landscape tradition and its persistence in my own and our collective consciousness, with a particular eye toward how landscape and humanity intersect.